There are plenty of steamy scenes, but the emotional center of the book unfolds as Lawrence and Chloe come to care for each other and, for the first time, experience being seen and loved for who they truly are. Their first kiss leaves both certain of their chemistry, but Lawrence is still Chloe’s sworn enemy even if he doesn’t know it, and he’s also still set on restoring his dukedom, so even as they fall in love, both struggle to abandon what they’ve always believed and who they pretend to be.
The attraction between them grows with each lesson, especially when he learns that she’s an avid follower of Parliament and can match him argument for argument. Needing some reason to keep seeing Lawrence as she searches for the still-missing painting, Chloe convinces him to give her lessons and help her find a wealthy suitor. As his kidnapper, Chloe is all too visible to Lawrence, who assumes she’s a social climber. The timing couldn’t be worse, from Lawrence’s perspective, as he’s sacrificed nearly everything he has to rebuild his family’s reputation and is about to complete his task by proposing marriage to a woman with a large dowry. She hatches an elaborate plan to steal it back, but the plot is upended when she accidentally kidnaps the duke instead. She and her siblings, an eclectic group of six orphans adopted by the late Baron Vanderbean, use their unique talents “doing good works beneath people’s noses.” Though most of their missions are altruistic, her latest aim is personal: to liberate a painting that was significant to Bean and is precious to his adopted brood, stolen from them by Lawrence Gosling’s father, the previous Duke of Faircliffe, who had sold it to Bean years ago because he needed the money.
Most young women trying to sneak into Regency society long to be seen, but Chloe Wynchester is the opposite: She strives to be invisible. A young lady attempts to steal a painting but finds she’s nabbed a duke instead.
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